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Re-visions: Nazi Germany and Fascist italy in German and Italian film and literature.

機(jī)譯：改版：德國(guó)和意大利電影和文學(xué)中的納粹德國(guó)和法西斯意大利。

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This study posits two main questions: first, why are Italian and German authors still compelled to thematize the Fascist and National Socialist past; and second, can the Holocaust be successfully incorporated into national memory through fiction? Thus, the primary focus of this dissertation is a comparative analysis of the engagement with the Fascist and National Socialist past in the works of Italian and German contemporary fiction. The study concentrates mainly on the works that were published and released after 1990 such as W. G. Sebald's Austerlitz, Günter Grass's Beim Häuten der Zwiebel, Umberto Eco's La misteriosa fiamma della regina Loana, Rosetta Loy's La parola ebreo, Roberto Benigni's La vita è bella, Stefan Ruzowitzky's Die Fälscher, Ettore Scola's Concorrenza sleale, and Ferzan Ozpetek's La finestra di fronte..;The choice of works analyzed in this study is primarily based on the thematic intertextuality between Italian and German literatures and cinemas. Accordingly, all these works partake in the discourse of memory and representation of Nazi Germany and Fascist Italy by employing similar themes such as amnesia, childhood as an alibi, appropriation of victimhood, witnessing, and the problem of absence of the Holocaust. And while the majority of these works fail to address the past in an adequate manner (e.g., by evoking empathy), I argue that W. G. Sebald's Austerlitz, Ferzan Ozpetek's La finestra di fronte, and Ettore Scola's Concorrenza sleale stand out as more successful in confronting the National Socialist and Fascist past and provide an exception to the trend.;Although there are a number of recent historiographic works that compare Nazi Germany and Fascist Italy, there is no published literary-critical research that engages in such a comparative study. This research project employs methodology from a number of fields and consequently borrows theoretical framework from works of historiography, film studies, trauma literature, and cultural studies. Lastly, I hope that this dissertation will not only justify the comparative approach that it uses, but also open up a new area of inquiry and instigate further scholarly interest.
機(jī)譯：這項(xiàng)研究提出了兩個(gè)主要問(wèn)題：首先，為什么意大利和德國(guó)的作家仍然被迫對(duì)法西斯主義和民族社會(huì)主義的過(guò)去進(jìn)行主題化；第二，大屠殺能否通過(guò)小說(shuō)成功地納入國(guó)家記憶？因此，本文的主要重點(diǎn)是對(duì)意大利和德國(guó)當(dāng)代小說(shuō)作品中與法西斯主義和民族社會(huì)主義過(guò)去的交往進(jìn)行比較分析。該研究主要集中于1990年以后出版和發(fā)行的作品，例如WG Sebald的 Austerlitz，GünterGrass的 BeimH?utender Zwiebel， Umberto Eco的 La misteriosa fiamma della regina Loana， Rosetta Loy的 La parola ebreo， Roberto Benigni的 La vitaèbella， Stefan Ruzowitzky的 DieF?lscher， Ettore Scola的 Concorrenza sleale，和Ferzan Ozpetek的前沿。 。；本研究分析的作品選擇主要基于意大利和德國(guó)文學(xué)與電影之間的主題互文性。因此，所有這些作品都以類(lèi)似的主題參與了納粹德國(guó)和法西斯意大利的記憶和代表話語(yǔ)，例如健忘癥，童年未成年，挪用受害者身份，見(jiàn)證以及大屠殺的缺席問(wèn)題。雖然這些作品大部分都無(wú)法以適當(dāng)?shù)姆绞剑ɡ纾鹜硇模┙鉀Q過(guò)去，但我認(rèn)為WG Sebald的 Austerlitz， Ferzan Ozpetek的 La finestra di fronte，和Ettore Scola的 Concorrenza sleale 在對(duì)抗國(guó)家社會(huì)主義和法西斯主義的過(guò)去方面取得了更大的成功，并為這一趨勢(shì)提供了例外。盡管最近有許多史學(xué)著作將納粹德國(guó)和意大利法西斯主義者，尚無(wú)有關(guān)這種比較研究的已發(fā)表的文學(xué)批評(píng)研究。該研究項(xiàng)目采用了許多領(lǐng)域的方法，因此借鑒了史學(xué)，電影研究，創(chuàng)傷文學(xué)和文化研究的理論框架。最后，我希望本文不僅能證明其所采用的比較方法的合理性，而且能開(kāi)辟一個(gè)新的探究領(lǐng)域，并激發(fā)更多的學(xué)術(shù)興趣。

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  • 作者

    Stefanic Brown, Kristina.;

  • 作者單位

    University of South Carolina.;

  • 授予單位 University of South Carolina.;
  • 學(xué)科 Literature Comparative.;Literature Romance.;Holocaust Studies.;Cinema.;Literature Germanic.
  • 學(xué)位 Ph.D.
  • 年度 2010
  • 頁(yè)碼 190 p.
  • 總頁(yè)數(shù) 190
  • 原文格式 PDF
  • 正文語(yǔ)種 eng
  • 中圖分類(lèi)
  • 關(guān)鍵詞

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