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Creator/Destroyer: The Function of the Heroine in Post-Apocalyptic Feminist Speculative Fiction

機譯:創(chuàng)作者/毀滅者:女主人公在世界末日后女性主義思辨小說中的作用

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摘要

The heroine in feminist speculative fiction signifies and functions as the creator and destroyer of her community, particularly based on dystopian societies, the heroine uses the duality of creator and destroyer without the complexities of present society; however, the issues in these novels serve to highlight and emphasize problems with current gender identity and equality.;Furthermore, the idea this heroine exists to destabilize narratives of patriarchy give voice to the powerless while continuing a narrative of the powerlessness, and counter narratives of gender normality. Each heroine confronts a patriarchal leader who symbolizes the faults in the existing societal regime, which allows her to undermine the hierarchy set up by men. With narrative centered on experiences of the heroine, the authors of these texts show how one voice can help exemplify the many. As heroines who incorporate characteristics of gender, they demonstrate that to lead, a person must be willing to identify not just as one sex, but as a person who understands where certain characteristics are not inherently male or female.;Her role as creator/destroyer is to achieve communal, structural, and personal unity, completeness, or wholeness. The heroine looks to institute communities that depend on one another, that understand each person has strength to share, and that build trust on these shared strengths. The heroine seeks harmony with the people around her, but she also discovers harmony within herself. She must learn to accept the notion that as the creator of something new, she is also the destroyer. It is her acceptance of this wholeness that will help her lead a new kind of humanity.
機譯:女權(quán)主義投機小說中的女主人公象征并作為其社區(qū)的創(chuàng)造者和破壞者,特別是在反烏托邦社會的基礎(chǔ)上,女主人公利用創(chuàng)造者和破壞者的雙重性,而沒有當今社會的復(fù)雜性。然而,這些小說中的問題卻凸顯和強調(diào)了當前性別認同和平等的問題。此外,這個女主角的存在是為了破壞父權(quán)制的敘事,在繼續(xù)對無能為力的敘事的同時向無權(quán)的人們發(fā)聲,并反駁了對女權(quán)主義的敘事。性別正常。每位女英雄都要面對一個父權(quán)制領(lǐng)袖,后者象征著現(xiàn)有社會制度中的缺陷,這使她可以破壞男人建立的等級制度。這些敘述的作者以女主人公的經(jīng)歷為中心,敘述了一種聲音如何幫助許多人的榜樣。作為具有性別特征的女主角,他們證明領(lǐng)導(dǎo)一個人不僅要認同一種性別,而且要愿意理解某些特征并不是男性或女性固有的特征的人;她作為創(chuàng)造者/毀滅者的角色是為了實現(xiàn)公共,結(jié)構(gòu)和個人的統(tǒng)一性,完整性或完整性。女主人公希望建立彼此依賴的社區(qū),了解每個人都有共享的力量,并在這些共享的力量上建立信任。女主人公尋求與周圍人的和諧,但她也發(fā)現(xiàn)自己內(nèi)部的和諧。她必須學會接受這樣的觀念:作為新事物的創(chuàng)造者,她也是破壞者。她對這種整體性的接受將幫助她領(lǐng)導(dǎo)一種新的人性。

著錄項

  • 作者單位

    University of Louisiana at Lafayette.;

  • 授予單位 University of Louisiana at Lafayette.;
  • 學科 Modern literature.;Gender studies.;Womens studies.
  • 學位 Ph.D.
  • 年度 2017
  • 頁碼 205 p.
  • 總頁數(shù) 205
  • 原文格式 PDF
  • 正文語種 eng
  • 中圖分類
  • 關(guān)鍵詞

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