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Marginal Cost: The Business Novel and the Invention of Modern Economics

機(jī)譯:邊際成本:商業(yè)小說與現(xiàn)代經(jīng)濟(jì)學(xué)的發(fā)明

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摘要

My dissertation begins with the possibility and implications of identifying a body of literature that is in some essential way, economic literature. In particular, I examine the history of business novels and the businessman as our most common and overt ways of representing the economy in literature. Looking beyond the traditional friction between aesthetic and commercial systems of value, I seek to identify the ways in which the features of business novels that so often lead to their status as minor novel arise from tension between the constructed nature of narrative and theories of the economy as spontaneously ordered.;In "The Emergence of the Businessman in the American Novel" I argue that literary representations of the businessman developed in parallel, during the second-half of the nineteenth century, with the transformation and expansion of the concept of work to include professional management as a potential but contested form of productive labor.;Identifying the early use of business management as a potential solution to problems of debt repayment and labor pricing, I examine the way that scarcity become a driving tension for business novels. In "A Romance of Scarcity" I describe the dual tendency of business novels to produce their plot in terms of managing scarcity and also to retreat from such problems in order to arrive at the kind of resolution conventional to novels of the era.;During the post-Gilded Age era, when businessmen became primarily characterized as captains of industry, I argue that the misidentification of determinist economic theories hampers our ability to understand naturalistic accounts of the economy as a way of representing the economy as non-deterministic. "Literary Naturalism and Economic Calculability" suggests that early twentieth-century theories about the impossibility of economic calculation outline some of the same beliefs and conditions described in literature as giving rise to the economy as unknowable and unpredictable.;Examining the way that current discourses on class difference and inequality tend to overwrite older accounts that figure industrial poverty in terms of constraints. "From Phelps to Piketty" outlines the way in which certain literary representations of beliefs about the relationship between capital and labor are better explained by a certain kind of marginal thinking rather than the consolidation of class interests.;Finally, in "We Don't Need Another Hero," I argue that anti-formalist economic arguments about the impossibly of economic expertise are part of the essential, conceptual context for understanding the way that some post WWII business novels problematically resist the notion of heroism in business and yet do so using enough conventional tropes of business success stories to make that resistance difficult to identify.;Ultimately, I suggest that combining literary and economic notions of marginality can help explain the simultaneous affinity and tension within narrative representations of the economy.
機(jī)譯:我的論文從確定某種形式的經(jīng)濟(jì)意義文學(xué)的可能性和意義開始。特別是,我考察了商業(yè)小說和商人的歷史,這是我們?cè)谖膶W(xué)中代表經(jīng)濟(jì)的最常見和最公開的方式。超越美學(xué)和商業(yè)價(jià)值體系之間的傳統(tǒng)摩擦,我試圖確定商業(yè)小說的特征常常是導(dǎo)致其作為次要小說的地位的方式,這是由于敘事結(jié)構(gòu)和經(jīng)濟(jì)理論之間的張力而產(chǎn)生的我在《美國小說中的商人的出現(xiàn)》一書中指出,商人的文學(xué)表現(xiàn)在19世紀(jì)下半葉隨著工作觀念的轉(zhuǎn)變和擴(kuò)展而并行發(fā)展。包括專業(yè)管理作為潛在但有爭(zhēng)議的生產(chǎn)勞動(dòng)形式。;確定盡早使用商業(yè)管理作為償還債務(wù)和勞動(dòng)力定價(jià)問題的潛在解決方案,我研究了稀缺性成為商業(yè)小說推動(dòng)張力的方式。在《稀缺的浪漫》中,我描述了商業(yè)小說在管理稀缺性方面產(chǎn)生情節(jié)并從這些問題中退縮的雙重趨勢(shì),以期達(dá)到該時(shí)代小說的常規(guī)解決方案。在后鍍金時(shí)代,當(dāng)商人最初成為工業(yè)的領(lǐng)軍人物時(shí),我認(rèn)為對(duì)確定性經(jīng)濟(jì)理論的錯(cuò)誤認(rèn)識(shí)會(huì)妨礙我們理解經(jīng)濟(jì)的自然主義解釋的能力,這是將經(jīng)濟(jì)表現(xiàn)為非確定性的一種方式。 “文學(xué)自然主義和經(jīng)濟(jì)可計(jì)算性”表明,二十世紀(jì)初期關(guān)于經(jīng)濟(jì)計(jì)算不可能的理論概述了一些與文獻(xiàn)中描述的相同的信念和條件,這些信念和條件導(dǎo)致了經(jīng)濟(jì)的不可知和不可預(yù)測(cè)。階級(jí)差異和不平等往往會(huì)覆蓋那些根據(jù)制約因素計(jì)算出工業(yè)貧困的老賬。 “從菲爾普斯到皮克蒂”概述了通過某種邊際思想而不是鞏固階級(jí)利益來更好地解釋關(guān)于資本與勞動(dòng)之間關(guān)系的某些文學(xué)表現(xiàn)形式的方式。最后,在“我們不需要另一個(gè)英雄”,我辯稱,關(guān)于形式經(jīng)濟(jì)學(xué)的反形式主義經(jīng)濟(jì)學(xué)論點(diǎn)是理解某些二戰(zhàn)后商業(yè)小說如何有問題地抵制商業(yè)英雄主義的方式的基本概念背景的一部分,足夠多的傳統(tǒng)商業(yè)成功案例使人們難以識(shí)別這種阻力。最終,我建議將文學(xué)和經(jīng)濟(jì)邊緣概念結(jié)合起來可以幫助解釋經(jīng)濟(jì)敘事表象中的親和力和張力。

著錄項(xiàng)

  • 作者

    Douglas, Jason G.;

  • 作者單位

    University of Illinois at Chicago.;

  • 授予單位 University of Illinois at Chicago.;
  • 學(xué)科 Modern literature.;Economics.
  • 學(xué)位 Ph.D.
  • 年度 2017
  • 頁碼 192 p.
  • 總頁數(shù) 192
  • 原文格式 PDF
  • 正文語種 eng
  • 中圖分類 遙感技術(shù);
  • 關(guān)鍵詞

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