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首頁> 外文學(xué)位 >Battle and Balance Between the Masculine and the Feminine: A Psychoanalytic Approach to the Young Adult Fiction of America's Nineteenth Century
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Battle and Balance Between the Masculine and the Feminine: A Psychoanalytic Approach to the Young Adult Fiction of America's Nineteenth Century

機譯:男性與女性之間的戰(zhàn)斗與平衡:對美國19世紀(jì)年輕成人小說的一種心理分析方法

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2017 Drew University My dissertation attempts to fulfill a twofold agenda. First, as its title suggests, it argues for a certain kind of literature, the significance of which has been all but overlooked. For too long, literature of the nineteenth century intended for a younger audience, that which can rightly be considered the young adult fiction of its day, has been regarded as rhetorical fare designed only to divert and entertain, as mere pablum, in other words. As a result, whatever meaning it may possess beyond the literal has largely gone unnoticed. The works my dissertation focuses on, The Courtship of Miles Standish, Adventures of Tom Sawyer, and Little Women, may have been written for a youthful readership but in the end reveal a subtext of very adult psychological import that has profound and direct meaning, particularly for those for whom these works were originally intended: developing adolescents. For these stories have at their core the possibility for a utilitarian employment that can assist their readers in the very arduous task of growing up, most especially in achieving that which serves as the center of this dissertation: the balance between masculine and feminine sensibilities so necessary for the well-adjusted life.;In unearthing substance from the seemingly substanceless, my dissertation will also have the unintended consequence of legitimizing works that heretofore have been deemed unworthy for weighty consideration. My particular reading applies the very formidable theoretical frameworks promulgated by Sigmund Freud, Carl Gustave Jung, and Jacques Lacan; therefore, at minimum, The Courtship of Miles Standish, Adventures of Tom Sawyer, and Little Women must possess a thematic and rhetorical heft able to accommodate such heady conceptual application. My dissertation does just this in the hope of providing developmental guidance for a reading public just coming into its own while, at the same time, making the case for the canonization of these and other such works.
機譯:2017德魯大學(xué)我的論文試圖完成雙重議程。首先,正如其標(biāo)題所暗示的那樣,它主張某種文學(xué),但其重要性卻被人們幾乎忽略了。長期以來,十九世紀(jì)針對年輕觀眾的文學(xué)作品,可以被視為當(dāng)時的年輕成人小說,被視為只是為了散布和娛樂,換句話說就是娛樂性的修辭性票價。結(jié)果,除了字面意義之外,它可能具有的任何意義都沒有被注意到。我的論文重點是《邁爾斯·斯坦迪什的求愛》,《湯姆·索亞歷險記》和《小女人》,這本書是為年輕讀者撰寫的,但最后卻揭示了非常成人的心理含義的潛臺詞,具有深遠(yuǎn)而直接的意義,特別是對于那些最初打算使用這些作品的人:正在發(fā)展的青少年。因為這些故事的核心是從事功利主義工作的可能性,可以幫助讀者完成艱巨的任務(wù),尤其是實現(xiàn)作為本論文核心的任務(wù):男性與女性敏感性之間的平衡非常必要為了使看似毫無實質(zhì)的東西發(fā)掘出來,我的論文還將產(chǎn)生意想不到的結(jié)果,即迄今為止認(rèn)為被認(rèn)為不值得進行沉思的作品合法化。我特別讀的書采用了西格蒙德·弗洛伊德(Sigmund Freud),卡爾·古斯塔夫·榮格(Carl Gustave Jung)和雅克·拉康(Jacques Lacan)提出的非常強大的理論框架。因此,至少,邁爾斯·斯坦迪什的求愛,湯姆·索亞歷險記和小婦人必須具有主題和修辭手法,以適應(yīng)這種令人頭疼的概念應(yīng)用。我的論文就是這樣做的,希望為剛剛成為自己的閱讀公眾提供發(fā)展指導(dǎo),同時為這些作品和其他此類作品的規(guī)范化提供依據(jù)。

著錄項

  • 作者

    Hier, John Stephen.;

  • 作者單位

    Drew University.;

  • 授予單位 Drew University.;
  • 學(xué)科 American literature.;Psychology.;Gender studies.
  • 學(xué)位 D.Litt.
  • 年度 2017
  • 頁碼 215 p.
  • 總頁數(shù) 215
  • 原文格式 PDF
  • 正文語種 eng
  • 中圖分類
  • 關(guān)鍵詞

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