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首頁> 外文學位 >'Feel Your Pain': Neoliberalism and Social Form in Contemporary American Fiction.
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'Feel Your Pain': Neoliberalism and Social Form in Contemporary American Fiction.

機譯：“感到痛苦”：當代美國小說中的新自由主義和社會形態(tài)。

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My dissertation examines the relationship between contemporary American fiction and what Mary Gaitskill, in her 1991 novel Two Girls, Fat and Thin, describes as the nation's "frantic twist to the right," or what has come more recently to be known as the neoliberal turn. At the heart of this new orthodoxy is a commitment to the primacy of "human capital," a discourse which figures society as a marketplace of individual entrepreneurs rather than a space of structural antagonisms like the relationship between labor and capital. I argue that this same discourse tends to guide the formal choices and thematic concerns of millennial American fiction, which imagines worlds constituted by "inner experience" and personal choice (Gaitskill); by families and family values (Ben Marcus, Jonathan Franzen, and Jeffrey Eugenides); by "stakeholders" in multinational corporations (Richard Powers); and by subjects with the symbolic-analytic skills -- "human capital" as a contemporary economist would define it - necessary to navigate a world of transnational complexity (Karen Tei Yamashita). "Feel Your Pain" thus makes a periodizing claim, differentiating this generation of writers -- mostly born in or around the 1960s -- from their postmodern predecessors, whose work was guided by an interest in impersonal systems of power, language, and technology. I show how the discourse of human capital generates not just new political logics but new literary forms, from Franzen's Clintonian version of the "big social novel" to (in a more resistant mode) Sesshu Foster's reinvention of the "alternative history" genre. In examining the neoliberal novel, my project contributes, then, to a history of both political thinking and aesthetic practice, histories which intersect in these books and which are made clearer, in my view, by being told together.
機譯：我的論文探討了當代美國小說與瑪麗·蓋茨基爾（Mary Gaitskill）在其1991年的小說《兩個女孩，胖與瘦》中描述的國家之間的“瘋狂轉向右旋”之間的關系，或者最近被稱為新自由主義的轉向。這種新的正統(tǒng)觀念的核心是對“人力資本”至上的承諾，這種話語將社會視為個體企業(yè)家的市場，而不是諸如勞資關系之間的結構性對立空間。我認為，同樣的話語傾向于引導千禧年美國小說的形式選擇和主題關注，它們想象著由“內(nèi)在經(jīng)驗”和個人選擇構成的世界（蓋茨基爾）。根據(jù)家庭和家庭價值觀（Ben Marcus，Jonathan Franzen和Jeffrey Eugenides）；跨國公司中的“利益相關者”（理查德·鮑爾斯）；并通過具有象征性分析技能的學科（當代經(jīng)濟學家將其定義為“人力資本”）來應對跨國復雜的世界（Karen Tei Yamashita）。因此，“感覺到痛苦”提出了一個周期性的主張，使這一代作家（大多出生于1960年代或前后）與他們的后現(xiàn)代前輩有所不同，后現(xiàn)代前輩的工作受到對非人格力量，語言和技術體系的關注。我將展示人力資本的話語如何不僅產(chǎn)生新的政治邏輯，而且產(chǎn)生新的文學形式，從弗朗岑克林頓式的“大社會小說”到塞蘇·福斯特（以更抵抗的方式）對“另類歷史”類型的重塑。在研究新自由主義小說時，我的計劃為政治思想和美學實踐的歷史做出了貢獻，這些歷史在這些書中相交，在我看來，這些歷史通過一起講述而變得更加清晰。

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  • 作者

    Brooks, Ryan M.;

  • 作者單位

    University of Illinois at Chicago.;

  • 授予單位 University of Illinois at Chicago.;
  • 學科 American literature.
  • 學位 Ph.D.
  • 年度 2014
  • 頁碼 162 p.
  • 總頁數(shù) 162
  • 原文格式 PDF
  • 正文語種 eng
  • 中圖分類 遙感技術;
  • 關鍵詞

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